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10

Inside Hokie Sports

I don’t want to insinuate that I am old. I’m

not. I haven’t experienced nearly as much life

as many of the readers of this column. I also

haven’t contributed to our way of life in nearly

the impactful ways of many others. However,

I am getting older, and that seems to bring

with it an appreciation for the passing of not

just people, but also a more intimate time.

Believe me, it is hard for me to fathom

when I look around to root out who just said

“back in my day,” or “I miss the way it was,”

only to discover that I made those statements.

It pains me during a lull in a press conference

to notice everybody staring at smartphones

rather than talking to each other about the

things said in the previous interview. It’s not

judgment because I, too, looked up from my

own smartphone to make the observation in

the first place.

It also isn’t a resistance to technological

advancement, and I certainly try not to

sound like a curmudgeon who constantly

opines about the good old days. It is more of

nostalgia for the pace of things when I was

growing up learning this craft and starting

out. I am certainly not blind to advancement,

but I also possess an appreciation for subtlety

that I lacked in my younger days.

I’m certain other broadcasters feel that

way at the moment, as our fraternity recently

listened to the best to ever do this job, Vin

Scully, who plans to retire after more than 60

years at the microphone. By doing so, he takes

away the largest treasure trove of stories ever

amassed by a broadcaster.

He gathered those stories the old fashioned

way—by talking to people. In my opinion,

no one matches his ability as a thorough

storyteller. He stayed persistent in his effort

to unearth the seemingly minute details of a

player’s or coach’s story and was patient in his

method of doling them out during the course

of a six-month season. In that way, he created

bonds between Dodger fans, Los Angeles,

and wherever his characters hailed from, for

decades.

That’s a simple way to explain his greatness,

and it was actually much more complex than

that. He combined those aforementioned

qualities with a completely unique and

charming delivery, as well as profound

humility. He also displayed his eagerness to

relate.

Scully was the best, but not alone. Ernie

Harwell, Jack Buck, Harry Carey and Red

Barber all reside in that class, as do many

others. Jon Miller, Bob Ueker and a few

others still remain, but unfortunately, the

next generation of broadcasters appears to

be following a different path. Knowing that

conjures sadness within me because they

possess the talent to do it. Yet the pace of

sports—and life—has changed. Some call it

‘evolving.’ In either case, they couldn’t do so if

they wanted to do so.

The greatest compliment I ever received

while calling baseball games was never meant

to be a compliment:

“Your style reminds me of the old-school

broadcasters.”

It meant that my call was very descriptive,

and in some ways, long-winded and more

detailed in terms of the characters on the

stage. I thought that was great, but it was not

the more quick hitting, rerack consistently for

an audience that constantly changes during

the course of a game. That now seems to be

the normal style of choice—clicking from one

station to next, opening one app after another.

In the past, the audience simply turned on the

radio while on the patio and tuned in for the

night. Not so much any more.

It was part of a rejection letter that I

received for a Major League job, one of a

hundred that I received in the years before

I came to Blacksburg. When asked, I always

responded that my goal was to be the voice of

a community, whether a baseball community

or a larger one. The two used to be one in

the same. The problem came about because

I aspired to something being phased out,

whether consciously or not.

I beat my head against the wall for a

number of years, naively thinking that, at

some point, a team or a situation would see

it my way. The relationships that I made in

with

Jon

Laaser

The Way It Was